Gwyn Portrait, April’s End

The huntsman has ridden all night, following the brilliance of the spirit roads- the shining tracks that criss-cross the island of Britain. Instead of returning home he remains here for dawn, listening to the idiosyncrasies of each bird’s song, watching dew form on blades of grass, on petals of hawthorn blossoms and may flowers.

He is and is not the mist, riding through damp meadows over hills, mountains and moors on a pale horse accompanied by a hound of the same complexion. He is and is not each sun-lit cloud he travels with, the touch and whisper of the wind.

He cannot stay here long, for this world we see as the land of the living is not his. He must return home to Annwn, the Otherworld, to prepare for a battle that cannot be won. To fight for a maiden he shouldn’t have loved, shouldn’t still love… in bluebells and forget-me-nots, emerging greens and white and yellow flowers he sees her colours.

For a moment he is possessed by memories of their passion, and the crimes it drove him to. A glimpse of his blacked face in a reed strewn pool shows no amount of war paint can mask his guilt, which he must live with for as long as there are people to sing his songs.

He searches for a sign. What is Judgement Day? When is it? Although he knows the language of the trees and plants, the tracks of every wild creature and the flight of birds, these questions are beyond his power to divine. When the worlds end, will Creiddylad and I be together again?

May Flower, Penwortham

Awenydd

I.
As the longest night looses
darkest claws I walk amongst shadows
at dawn where moonlight floods
through the arms of trees
and a solitary lamppost lights the vale.

Lamppost, Greencroft ValleyII.
River-trees stand stark and tall,
consistent in her mind’s
unravelling of currents and tides,
cormorants and gulls,
a ragged heron.

RibbleIII.
The host’s roar to a lullaby
quells as moon leads dawn
over chiming hills to be swallowed
by cloud as the hunt returns
to graveyard and mound.

Moon over Castle HillIV.
My lord of the fay
makes his presence known.
He speaks to the mist within my bones
like the lych gate unfastening,
awenydd– my magic word.

Lych gate, St Mary's ChurchV.
The spirit paths are mine
to walk for an evanescent pulse
of dawn. Time stands still
from vale to hill and the stream
sings: awenydd, awenydd.

Fish House Brook

Spirit of the Aquifer

In eighteen eighty four
a monolithic feat of engineering
shifts the Ribble’s course:
no water to the springs.

From the hill’s abyssal deep
a rumbling of the bowels,
a vexed aquatic shriek:
no water to the wells.

Breached within the chasm
a dragon lies gasping
with a pain she cannot fathom:
no water to the springs.

Water table reft
her giving womb unswells,
surging through the clefts:
no water to the wells.

Unravelling inside
her serpent magic streams
to join the angry tides:
no water to the springs.

Culverted and banked
her serpent powers fail,
leaking dry and cracked:
no water to the wells.

The spinning dragon-girl
tumbles from her swing
and slips to the underworld:
no water to the springs.

Her spirit will not rise
through the dead and empty tunnels,
disconsolate we cry:
no water to the wells.

The hill, no longer healing
stands broken of its spell,
no water to the springs,
no water to the wells.

Peneverdant, A Lunar Cycle

I. Dark Moon

On a dark moon
the lady in the ivy
winds down the dark hill
and the falling graves.

All memory
is sliding into darkness,
the river’s tides
her open mouth.

She is waiting
for the return
of her tribe
on their oaken boats.

The moon is dark
over the river-
an eye, a maelstrom
between the worlds.

The fleet are ready,
the church is empty,
graves as hollow
as the old green hill.

She will be waiting
in the ivy
for the return
of her tribe
on their oaken boats.

II. New Moon

All is darkness
but the splash of the tide,
the wing of an owl.

Lady Ivy
recounts her losses
on the hill
and the bank
where the hangman
wore his cowl.

They are waiting
in the maelstrom eye
of the new moon-
the river’s entryway
to living day
and deep Annwn.

They are waiting,
her hidden tribe
on their oaken boats
in a slit of light,
an opening moonbeam
to row through
the night
to the old green hill.

III. Moon First Quarter

There is wisdom
in the eyes of an owl-
a demand,
a categorical imperative.

Behind cumulonimbus clouds
secretly moon’s orb
is swelling.

They row.
History is written
in their woad-
gods and goddesses,
an oak king,
the lakes and water courses
of their oaken fleet,
the moon’s eye
in the shining river
and all the laws of the deep.

IV. Full Moon

The moon is full
behind the clouds.
She casts no light
on the empty boats,
the processional route
around the old green hill,
the moving river of woad.

Lantern bearers
pass the old iron rails,
the gloomy gathering of graves
to assemble on the mound,
igniting the beacon fire.

By the wing of an owl
the clouds are moved.
The moon looks down,
victorious.

They salute her orb
in the shining river,
the gods of the hill
and the deep.

On this night
of opened graves
anything is possible
in the light of the beacon fire
before the lambent eye of the moon.

V. Moon Last Quarter

Night has fallen
from the moon’s closing eye.

The owl has flown
to the hunt.

The fire gone cold
with the lanterns’ glow
is eclipsed by street lamps
and brake lights.

The by-pass roars
by the old green hill.
The river is concreted
back in her new course.

Lady Ivy
winds down
the hill and the graves.
She waits
for the tribe to row
to the river-moon
on their oaken boats,
to her maelstrom-eye
between the worlds.

The Other Side

Looking beyond the embers of bridges glowing behind us
To a glimpse of how green it was on the other side
Steps taken forwards but sleepwalking back again
Dragged by the force of some inner tide
– Pink Floyd High Hopes

Glastonbury 2000

The world was ours, the moment all that mattered.
Our hopes were high in the mist of dawn.
We flung our friendship over the wildest horizons
riding rainbow lights and drums to distant haunts
that never satisfied the fire in our souls
nor the loneliness that lay its pall between us.
Strung out on stars, burning everything of value
we reached the ravaged borderlands and paused
so far gone even astronomers couldn’t find us.
Looking beyond the embers of bridges glowing behind us

they saw the stone circle and distant Tor,
the penumbra of a festival vanished to the night.
At last we staggered home lost and nearly blind,
dazzled by the sun we couldn’t find to tiny houses
with stiff front doors surrendering hope for certainty.
The return was hard, obeying the constant grind
of re-learning how to put one foot in front
of the other one. Re-mastering the system, unseeing
starry skies. Yet on the odd occasion reality elides
to a glimpse of how green it was on the other side.

I fought onward, eventually alone
as the division bell began to toll, making happy
families with freshly ironed clothes, polished homes
and forced smiles. From a dusty library I looked out
across the hills- a glimpse of green and beacon fire.
My feet trod through cotton grass to broken remains
of tribal ruins drawn by chants on the west wind.
The other side returned to life in the vestibules of trees.
I saw a river goddess wash her hair in the rain.
Steps taken forwards but sleepwalking back again

the fragments stayed broken, my vision incomplete.
Stunned by the Tor redrawing itself on the backdrop
of my mind I relit the embers on the Ribble’s bank
and recalled the last hint of paradise before everything
went black and time took our dreams away. Guided
by the voice of an otherworldy king I reclaimed my pride
at the Tor’s white spring. Time performed its circle,
gave back my starlit dream. The world is mine again.
To the other side and spiralling back I ride
dragged by the force of some inner tide.

Glastonbury Tor 2013

Winter Ride

Preston

 

 

 

 

 

Fay bells chime. You ride a pale horse tonight.
My white mare pines for infinite horizons.

From this false security’s plastic peace
I breathe a prayer for ecstatic release.

Wrenched like tendons, reality is severed.
You open a snow storm, marvel and terror,

suburb stripped bare, hung trees and glittering ice,
a spectral host bathed in sweeping starlight.

Some people don’t see them. The rest run scared.
With my reckless steed I join the nightmare.

Our heart beats quicken to Annwn’s dread trance.
Street lamps flicker. Roofs slip into the distance.

Fairy lights and festive chants spread the county
from Blackpool Tower to Winter Hill, bright fountains

dissolve to torch parades. The present falters
revealing a past of village and bonfire,

chill chapped hands, hungry gatherings at cauldrons,
a labyrinth of padways mazed across Pilling

buried by snow fall, entombed beneath glaciers.
A cold unbearable sets in to kill.

And I fear I’m trapped in the Age of Ice
on the day of doom at the end of time

I cannot move my frozen mind. I scream
“Why? Winter King, bear me to these extremes?”

Your look commands; survey this fragile land,
ice crafting the mythos you toil to grasp,

reshaping the hills, renaming the towns,
creating the isle you know as Britain.

Wild laughter rings from the hollow landscape.
The fate of worlds tilts on a teetering brink.

I see your task, unruly guardian
of streaming vast ancestral tradition.

History rushes back and my course is clear,
My return to Penwortham swiftly steered,

shaking off snow, flexing my cold fingers,
I whisper thanks for your winter visions.

On Frenchwood Knoll

City drenched.
We bend against the rain.
Sandstone soaked,
Corporate faces are too pinched to sob.
The rain drops laugh tearfully,
Drip down red.
The bricks outlive the factories.
Vacant shops are hollowed out.
The ectoplasm of capitalism recedes
Like the spectre of Marxism.

On Frenchwood knoll
I met a tribesman who pointed
To the hills across the river,
Turbulent sky and spiralling stars,
I touched the earth and felt her rhythm,
Dark pulse caught
Between the supermarket and spire.
Sold off, covered over, offered up,
Remembered only by the weather.

The King of Faery

In woodland damp, a shady dark divine
On aged slope the creeping ivy climbs.
Caressing thorn and dressing ash with vine
A poison maid spreading her locks sublime
Drapes kingdom fair with wanton waxen shine.
The deep earth’s lawless vagabond of joy
Cords heart shaped leaf where eldritch magic lives,
Ascends, protects the glamorous abode
Of fair folk ancient as the darkness of the wood.

Rooted fast at the foot of hallowed hill
In somber silence stands a leaning yew
Ghosts and needles shadowing its boughs
Whispers hanging sorrowful and true,
Of pageant stately passing at full moon.
Yew tree hides the underworld’s feared gateway
Beneath the haunted watching of its roots.
The wise and dead or reckless seek entry
Imploring the illustrious King of Faery.

~

His spectral shine shimmers white as moonlight
His hair floats fair about his phantom limbs
His warrior attire is black as night.
The eyes of the hunter of souls are grim
As the howl of his hounds on Annwn’s winds.
His dread black steed is a beast of the marsh
Dripping like the sea, his whinnying swims
Like a wetland dobbie bridging the worlds
And hurtling his way across the oak covered swamp.

The King’s pale face is black with wrath
For an eldritch dream killed by disbelief.
Souls who crossed to Annwn to be reborn
Stagnate in the gloom of apathy’s reign.
Through a mist of twilight doomed rides the King.
He travels the path of the Ribble’s old course
From the heart of the hill the death knell rings.
Decked in somber garments the fair folk march
Calling souls to the underworld with funeral spells.

Dobbie

Full moon breaks the rushes,
quivering lips soft whiskered brush the water,
hair line trail traces black velvet muzzle
which moistens, smacks and laps,
heavy glug of oesophagus
tugs water to the bowels of a dread black creature.
The beast drinks deep, shaggy hide
long and twitching skirts agile cloven feet.
His saucer red eyes hold star glow infernal.
Head raised dripping, he speaks a gargling tale
of strangled marshes, dried out mosslands,
shrunken brooks and pools abandoned,
eternal thirst his cruel domain and an endless lust for riders
to sink beneath the skin of a world unintelligible
to one deep as peat and old as the glaciers.
His lips close slapping. His burning eyes blink.
With a fish-like leap he slips below the water.