A Mossy Holiday

A two week holiday has given me the chance to start exploring and recording the mosses and liverworts in my local area. Equipped with a x 10 hand lens and the FSC Field Guides to common species in woodlands and gardens, backed up by the British Bryological Society’s Mosses and Liverworts of Britain and Ireland a Field Guide, I have made some interesting discoveries and managed to identify more bryophytes than hoped.

I started with my garden and firstly discovered that the moss which is everywhere is Rough-stalked feather-moss (Brachythecium rutabulum) in various stages of growth. It came as no little surprise that Springy turf-moss (Rhytiadelphus squarrosus) is in my lawn. I was excited to find the unmistakable Big-shaggy-moss (Rhytiadelphus triquestrus) on a stony area. The fourth moss, growing in a damp area beneath the shed (which is not on the FSC Field Guides, but I have identified from the key in the BBS Field Guide by its capsules) is Clustered feather-moss (Rhynchostegium confertum).

In Greencroft Valley the most abundant species of moss is Common feather-moss (Kindbergia praelonga). My guess is the acrocarpous moss covering two Elders and seen on the trunks of other trees may be Common smoothcap (Atricham undulatum).

Beside the brook I spotted Common pocket-moss (Fissidens taxifolius) alongside some fascinating plants I cannot name.

I then decided to go to Castle Hill as some of the woodland on its banks is ancient. By the steps up the hill from Well Field, past where St Mary’s Well once was, I found more Common pocket-moss, and Cypress-leaved plait-moss (Hypnum cuppreseforme) on a fallen branch.

On the wall on Church Avenue and on the old stone cross halfway down was the evocatively named Grey-cushioned grimmia (Grimmia pulvinata). It is named after a German scientist called Johann Friedrich Carl Grimm yet, to me, the name ‘grimmia’ is particularly evocative of this unmistakable mossy creature. By this point I had started getting to grips with taking photos through my hand lens.

On a stone on the side of Church Avenue was this unidentified acrocarpous moss.

In Church Wood the most abundant moss was Common feather-moss (here with capsules present).

Another unidentified moss was found on the pathway on the fallen branch of a tree.

Although I didn’t identify as many different mosses as I had hoped to in Church Wood it was a treat to find Great scented liverwort (Conocephalum conicum) on a damp bank.

So far I have been delighted to discover so many mosses within walking distance of my home in a couple of days. I am planning to continue to explore and record the bryophytes of my local area and on the Manchester Mosslands in the New Year.

Green Equinox

This equinox
seems greener than before –
warmth, steam remind me of the Atlantic rainforests in Wales
where it rains six days out of seven glaw, glaw, glaw,
whilst protests sweep the planet like clouds
but do not quell the Amazon fires.

I win my green belt in a martial art
learning to harness light like photosynthesis,
undoing my roots, learning to twist, kick, turn, leap,
kicking back against body dysmorphia.

The leaves, all green-brown, are not yet
in their autumn splendour bursting into colour
like lollipops like coloured belts I don’t yet know the meaning of.

Leaves of ash fall, touch my shoulder, give me strength.

Heaven and Light, Joyfulness, Fire and Sun, these
are the names of the first three poomsae but the fourth
is Thunder and the morning after I win that belt

I’m awoken by a mighty roar and flash of lightning
illuminating my room, the altars of my gods, a broken mirror,
my laptop and the jam jar in which I keep my pens
painted black with yellow and red stars,

the rubber the only dumb thing like the doubts
that hold me back yet the eraser of my past.

The skies are broken glass and the stream a darkness
running from eternity as a voice from a martial arts film asks:
“What do you see in front of your fist?” “My destiny.”

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*‘Glaw, glaw, glaw’ is Welsh for ‘rain, rain, rain’.
**The martial art I am learning is Taekwondo and my instructor is Eddie Ellison.
***The lines from the martial arts film are from Streetfighter II: The Animated Movie (1994).
****All photos are my own except ‘Lightning Ground Storm‘ by Brandon Morgan on Unsplash.

Prayer: A Little Window

Following Anna Applegate’s comment on the lack of discourse on prayer in the Pagan communities I’ve decided to share a little window into my prayer life. I’ve never done this before because, rather than saying set prayers, I simply speak to the gods and spirits from the heart. These are examples of heartfelt words rather than literary masterpieces. I’d be interested to hear from others about their daily prayers.

Altars April 2018 II

Morning

I.
Spirit of this house
Spirits of Greencroft Valley
Spirits of this land on which I stand
I give thanks to you.

Lady of the Marsh
Lady of the sacred hill of Penwortham
Lady of the wells now lost
I give thanks to you.

Belisama, Goddess of the Ribble, flowing
from Gavel Gap through Settle, Clitheroe, Ribchester
bringing your gift of sacred waters
I give thanks to you.

Nodens and the Weather Shapers
cloud-makers, wind-bringers
mist, fog, and rain-bearers
I give thanks to you.

Gwyn ap Nudd
first amongst my gods my forever patron
who leads the dead and living to Annwn
I give thanks to you.

II.

Gwyn ap Nudd,
Lord of Annwn,
Guide of Souls,
Light of the Mist,

God who dwells
in the Otherworld yet
close as my heartbeat
close as my breath*

grant me guidance
from Annwn’s dark heart

and inspiration
from Annwn’s deep depths.

As I walk each step
in service to you.

(Followed by a recital of the Annuvian Awen and a meditation, journey, or divination).

Evening

Gwyn ap Nudd
Gatherer of Souls
Walker Between Worlds

God who guides the dead
God who walks the brink of madness
God who contains the fury
of the spirits of Annwn

I come to you in awe and reverence
I come to you in love and service.

Let us share our journeys…

(Followed by communion with Gwyn)

Bedtime

Nodens Lord of Dreams
God of that deep and absurd world
that I vow to remember the next morning
before it slips from my mind with
the waters of forgetting

I give thanks for the joy of sleeping
I give thanks for the joy of dreaming

and these were last night’s dreams…

Nodens Lord of Dreams
guide me in this night of deep dreaming.

*Phrase borrowed from Greg Hill.

Apples

For Epona

The blood moon:
an apple in a goddess’ eye
drops and I think of the windfall
crisp autumn mornings when we released
the horses slipping from their halters
twisting away in leaps and bucks
with piquant glint-eyed excitement
to the trees where they’d drop their heads
whuffle up the crispy moons of green and red.

Some days before we turned them out
we whispered to them “apples”
and they knew exactly what we meant…

The blood moon has passed.
The horses are staying out late this year.
Yet the sun has gone down on my stable-yard:
baling freshly-cut hay, stacking barns
with hard-shouldered labour,
stuffing stretching nets
for hungry mouths.

As I cut the meadow and gather orchard fruits
I reminisce about the rural life that didn’t last.

When the horses are tied behind bar and bolt
tugging at hay with meadow-sweet muzzles
I will feed them apple-moons
from my open palm.

*This poem was written after watching September’s lunar eclipse from Greencroft Valley, where we planted apple trees two years ago, and is based on my experience of working with horses. I read it for Epona at a ritual in Glasgow led by Potia at the beginning of October.

Of Ducklings, Ganesh and Woodland Fires

Thursday the 9th of July was a strange and crazy day. My disastrous morning began with buying blu-tac to put up signs for a conference at work: signs I realised on arrival I hadn’t printed off. It went downhill from there. After managing to print the signs double-sided and procrastinating whether to leave at the agreed time of 9.45am after doing such a botched job, I fled to the Lancashire Archives.

On arrival I realised I had spent the £5 I put in my purse for a photography pass on blu-tac. Apologising and rushing to the cash machine, my head was in such a spin I entered the wrong pin code thrice and had to go to my bank to get a new one and ask for the money in person.

That done, I had a reasonable amount of success in photographing the 1811 Enclosure Act for Fulwood Forest and accompanying map and acquiring Ronald Cunliffe Shaw’s massive tome The Royal Forest of Lancaster from the basement of the Harris Library. With the huge book under my arm, feeling slightly nervous about dropping or damaging it, I headed home.

The Forest of Lancashire by Ronald Cunliffe Shawe

The Forest of Lancashire by Ronald Cunliffe Shawe

Walking down Riverside beside the Ribble, crossing a street, I caught the silvery glint of a pair of glasses. Stopping to pick them up and wondering what to do with them, I heard a shout from behind. It was a postman, who told me the glasses were his and he had lost them because he had been trying to catch a duckling and put it back over the river wall.

Assuming said duckling had been caught and put back I walked on, only moments later, to see her; striped tawny and brown running panickedly with a flap of short wings dangerously close to the roadside. With no idea how I was going to catch her or where to put the book I began following her with the aim, at least, of making sure she wasn’t run over.

Riverside

Riverside

As the duckling pursuit approached Penwortham Bridge a couple on a tandem bike stopped to help. The woman took my book and her partner and I managed to herd the duckling into a front yard. Four bins stood on the right. When she ran behind we manoeuvred them to form a make-shift duck pen.

When we finally thought we had caught her she slipped through the cyclists’ hands yet he managed to catch her in the next garden whilst I was left explaining to the owner of the house why we had used his bins to make a duck-pen.

The cyclist handed me the duckling and the pair departed. Realising quickly that holding the frightened creature was a job that necessitated constant attention and two hands, and with no sign of the duckling’s mother in sight, I asked the local resident if he would hold her whilst I phoned for advice.

13th C statue of Ganesh, courtesy of Wikipedia

13th C statue of Ganesh, courtesy of Wikipedia

He kindly obliged, inviting me into the porch of his vibrantly decorated house where I borrowed his telephone to ring the RSPCA whilst standing in front of a statue of Ganesh. I first met Ganesh when I performed Puja to him at a Druid and Hindu gathering last year. Beforehand I had been stressed as I’d been told at the last minute I had to drastically cut down a talk I’d spent some time preparing and rehearsing. After the Puja, I felt calm and my contribution went well.

Whilst navigating the phone system of the RSPCA was an absolute nightmare, Ganesh provided a sense of reassurance. Eventually I got put through to a human operator by pressing the line for ‘tangled and trapped animals’. She told me to remain beside the river and look out for the mother for a couple of hours and if I didn’t see her to call them back.

Realising I couldn’t hold the duckling and use my phone I called my friend, Nick, who was luckily in town and said he would meet me. Leaving my book at the Broadgate resident’s house, I walked up river and noticed a small family of ducks. However, the mother showed no sign of having lost one of her flock.

When I met Nick he told me he had phoned his friend, Lee, an animal rescue volunteer. She arrived within minutes in her van with a bird carrier. When I mentioned the family Lee said as it wasn’t certain the duckling belonged to them it was safer for her to take her home. Farewells were made to the duckling who ran swiftly into the carrier then, clearly exhausted, settled down.

After a catch-up with Nick, Lee departed. Reassured the duckling was safe, I picked up the book and thanked the gentleman. Thinking back, I couldn’t help pondering how if I hadn’t been delayed at the archives I would have been home a couple of hours ago reading my book and wouldn’t have seen and rescued the duckling at all.

However this strange chain of events had not reached its end. Close to home I found my local valley filled with smoke. Although I assumed it must be from someone’s bonfire I checked the woodland and was glad I did as someone had built and abandoned a large fire which, with the wind, looked perilously close to the withered cow parsley and other dry vegetation.

I rushed home, dropped off the book and picked up two buckets and a jug to fill them from Fish House Brook. After ten trips the fire was out. I was left exhausted and shaken by the realisation if it hadn’t been for my delay at the archives and the duckling pursuit I might have got home before the fire was lit and it might have caused considerable damage to the valley.

GCV Fire

Doused fire, Greencroft Valley

Looking back I can make no clear sense of the events. Yet what stands out is the slow inexorable pull of nature away from the white noise of forms and formalities. From the confines of the university to the archives and enclosed and mapped landscape of 1811 to the living webbed running feet of the duckling to the manual labour of filling buckets from my local stream, with a hiss, fizz and sizzle, dousing the fire in the valley I love.

A clearish lesson is I’m much better at rescuing ducklings and fire-fighting than administration and I feel more myself and grounded in these tasks and the land. And what of Ganesh? Hindu god of removing obstacles, peace and new beginnings? I hope his appearance signals a time when I can clear away my failures, renew my connection with my land and my gods and move on, even if means sacrificing some of the ambitions that led me to the position I’m currently trapped in.

Fish House Brook

Fish House BrookFish House Brook is a stream in Penwortham, which runs from behind my street, Bank Parade, through Greencroft Valley to the river Ribble. Since I started litter picking in the valley three years ago I have been clearing the brook, walking it regularly and researching its history. This article traces its course from source to mouth and provides snap shots of the ways people have related to it over the last few centuries.

~

The source of Fish House Brook and its earliest stretch have been culverted underground. Its course is indicated by the street names Bank Parade and an adjacent cul-de-sac called Burnside Way. It runs underneath the gardens on the eastern side of Bank Parade.

Bank Parade and Burnside Way, courtesy of Mario Maps

Bank Parade and Burnside Way, courtesy of Mario Maps

A few months ago Gordon at number 14 kindly invited me into his garden to see the site of its steep banking, which is now occupied by a pond.

FHB tributary's old valley BP no. 14 - CopyHe also lifted the grille to let me take a peek at the swiftly flowing underground stream.

FHB culverted tributary - CopyThe brook now emerges from a concrete pipeline behind Malt Kiln Cottage.

Fish House Brook, sourceThe following maps show Fish House Brook running from behind Malt Kiln Cottage into Greencroft Valley in the 1840’s and today.

Malt Kiln Farm and Greencroft Valley

Malt Kilm Cottage and Greencroft Valley 1840’s, courtesy of Mario Maps

Malt Kiln Farm and Greencroft Valley

Malt Kiln Cottage and Greencroft Valley now, courtesy of Mario Maps

Malt Kiln Cottage

Malt Kiln Cottage

Malt Kiln Cottage originally housed a water mill used to mill grain for beer. A picture of the pool behind the mill leat can be found on the Tithe Map (1838). Elizabeth Basquill provides a detailed account of how the malsters in residence used water from the stream and adjacent well to soak barley in a malster’s trough before it was dried and delivered by horse and cart round the corner to the Black Bull pub (2).

Malt Kiln Cottage, Tithe Map, 1838

Malt Kiln Cottage, Tithe Map, 1838

During this period Fish House Brook must have been much larger and more powerful to turn a water wheel. Its diminishment shows the effect of building 300 houses and their accompanying pipelines for clean water, drainage and sewage during the Central New Towns Project in the 1980’s.

Greencroft Valley

Greencroft Valley

Greencroft Valley is the largest surviving green space between the new estates. The old field lines remain intact, indicated by rows of trees. The wooded areas provide living space and nesting places for hedgehogs, squirrels and birds including magpies, wrens, a variety of tits, nut hatches and a woodpecker.

Greencroft Valley

Greencroft Valley playing field

The brook has had its share of pollution problems, mainly from grey water out of faulty washing machines. Since reporting this, it has been less frequent. Frog spawn and frogs have been seen, and a few smaller insects. However, there is no sign of any fish. This is disappointing as the 1840’s map shows a fish pond, which according to the Tithe Map was in Fish Pan Field, suggesting local people used to pan in the brook for fish.

Fish Pan Field

Fish Pond and Greencroft Valley 1840, courtesy of Mario Maps

Fish Pan Field

Greencroft Valley now, courtesy of Mario Maps

The brook is culverted from Greencroft Valley beneath Hill Road South.

Fish House Brook, Culvert under Hill Rd SouthIt emerges close to Rosefold house and cottages.

Rose Fold Cottages

Rose Fold Cottages

According to Elizabeth Basquill the cottages and yard were part of a tannery. During the late 19th century Fish House Brook was used to wash hides. ‘The hides were soaked in slaked lime first, then washed, and the hair and flesh scraped off.’ This process would have caused considerable pollution to the stream. Two adjacent fish ponds, which Elizabeth believes may have existed from the medieval period were ‘later used as tan pits for washing the skins’ (3).

Rosefold

Rose Fold 1840, Courtesy of Mario Maps

Rosefold

Rose Fold now, courtesy of Mario Maps

The first stretch of the brook, heading northeast, cannot be followed behind the houses. Where it makes a rightangle and heads northwest, a footpath runs alongside it. This follows the line of a much older route that led from Middleforth Green to St Mary’s Well (4).

Fish House BrookIt then bends right and passes through Campbell’s Park Homes following its old course round the back of the mobile houses.

Fish House Brook, Campbell's Park Homes

Fish House Brook, Campbell’s Park Homes

Campbells Park Homes, Meadows

Fish House Brook 1840, courtesy of Mario Maps

Campbell's Park Homes, Meadows

Fish House Brook, the Meadows and Campbells Park Homes now, courtesy of Mario Maps

The residential park nestles within the triangle of Penwortham Junction. The train lines pictured closed in 1965 and are now covered by beech, birch, sycamore, bramble and an array of wildflowers, forming important wildlife corridors.

Campbell's Park Homes

Campbell’s Park Homes

Another tributary enters Fish House Brook, running from the back of Far Field across the meadows. The pathway to St Mary’s Well crosses it, and there is a newer footbridge further south. At this time of year the meadows are thriving with mayflowers, buttercups, plantain, wild carrot, orange tipped and cabbage white butterflies and an abundance of bees.

The Meadows

The Meadows

The brook runs through Penwortham Allotments (unfortunately out of bounds) then is finally culverted beneath Leyland Road under Fish House Bridge.

Fish House Bridge

Fish House Bridge

Fish House Bridge

Fish House Brook culverted under Fish House Bridge

The 1840’s map shows a lodge beside Fish House Bridge. Alan Crosby says the bridge took its name from a timber building which ‘served as the quarters of the manorial river bailiff.’ This dwelling was adjacent to the fish garths, which were mainly used for catching salmon between December and August. It was the bailiff’s task to make sure the fishermen from different townships abided by the rules of the fisheries (5).

Fish House Bridge

Fish House Bridge 1840’s, courtesy of Mario Maps

Fish House Bridge

Fish House Bridge now, courtesy of Mario Maps

It is clear Fish House Brook derives its name from the Fish House, and as far as I know, no trace of an earlier name remains.

~

Each of these locations holds a story and discloses a relationship between the brook and the people who have depended on it. Since water started being piped in the 19th century, we’ve had no need to fetch it from wells or streams for drinking or bathing. Due to modern farming and production methods few of us rely on local waterways for fish, mill our own grain or tan our own skins.

This has a distancing effect. Due to continuing building work, I cannot imagine a time when the water from Fish House Brook will be safe to drink. It is uncertain whether fish will return, although some small fish were sighted by mum in nearby Penwortham Brook.

Small fish photographed by my mum in Penwortham Brook. Can you identify them?

Small fish photographed by my mum in Penwortham Brook. Can you identify them?

Whilst it’s impossible to turn back the clocks, I think there is time to get to know and understand our watercourses, and the lives and motivations of the people who have worked with and changed them. This article is an early marker stone on the journey through this process for me.

(1) Courtesy of Mario Maps
(2) Elizabeth Basquill, More Hidden Histories of Penwortham Houses (2011), p6-11, 42-44
(3) Ibid, p34-36
(4) St Mary’s Well was famous for being the cleanest source of water in the area and was attributed healing properties. Local people used to walk a mile to access their favoured water source, and it was also a site of pilgrimage.
(5) Alan Crosby, Penwortham in the Past, (1988), p48

Hey Ivy

Hey ivy,
Hey-ey-ey-ey ivy
Life force of this valley
Immortal green

Hey ivy,
Hey-ey-ey-ey ivy
Arriving from mystery
In a chorus of leaves

Hey ivy,
Hey-ey-ey-ey ivy
She gives us shelter
Beneath her palisades

Hey ivy,
Hey-ey-ey-ey ivy
She feeds us berries
When trees are bleak

Hey ivy,
Hey-ey-ey-ey ivy
We sing her praise songs
With ardent beaks

Hey Ivy

Half Moon and the Holly King

Half moon over Greencroft ValleyHalf bitten moon cries a waning scream.
Her severed pieces are brought by the stream
to the cavernous lair of the holly king
who grinds his axe on a sharpening stone
and prepares his block for the gore of heroes.

Silent and pensive he waits in his cave.
The moon arrives and his blood red eyes
are filled with silver swimming.
Outside the blackbirds sing
a song which knows no kenning.

The half formed moon describes her sorrows.
The king laments his lack of heroes-
vision waned and bravery gone.
Blackbirds sing their endless song
of an empty sky and bloodstained block…

then as hope elides a knight of dawn
approaches on a starless horse
with fire-lit eyes and maenad’s locks.
She boldly casts her gauntlet down
at the feet of the holly king.

The half formed moon departs from his arms.
He performs his task with an aura of calm.
The blackbirds watch in silence.
Then moon and lair are gone.
Dawn rides free, afraid, yet unharmed.

Holly, Greencroft Valley

Awenydd

I.
As the longest night looses
darkest claws I walk amongst shadows
at dawn where moonlight floods
through the arms of trees
and a solitary lamppost lights the vale.

Lamppost, Greencroft ValleyII.
River-trees stand stark and tall,
consistent in her mind’s
unravelling of currents and tides,
cormorants and gulls,
a ragged heron.

RibbleIII.
The host’s roar to a lullaby
quells as moon leads dawn
over chiming hills to be swallowed
by cloud as the hunt returns
to graveyard and mound.

Moon over Castle HillIV.
My lord of the fay
makes his presence known.
He speaks to the mist within my bones
like the lych gate unfastening,
awenydd– my magic word.

Lych gate, St Mary's ChurchV.
The spirit paths are mine
to walk for an evanescent pulse
of dawn. Time stands still
from vale to hill and the stream
sings: awenydd, awenydd.

Fish House Brook