Ywen

Ywen
dark guardian
guardian of Annwn

Ywen
dark guardian
guardian of souls

Ywen
dark guardian
guardian of mystery

Ywen
dark guardian
guardian of us all

Leaning Yew February 2018

Song for the Nine

This is a song for the nine
who stood against fracking:
the nine who stood firm
the nine who stood
against the tyrants’ gall.

This is a song for the nine
who stood for land and people:
Little Plumpton,
Roseacre,
democracy and hope.

This is a song for the nine
who stood for Lancashire:
clean rivers,
unfractured land,
our children free from harm.

This is a song for the nine
the nine we will remember
for standing firm
standing for us
in centuries of song.

~

This song came to me near whole and of its own accord the morning after Cuadrilla’s proposal to frack at Little Plumpton was refused by Lancashire County Council’s Development Control Committee 9-4 (2 abstained).

I e-mailed it to Peter Dillon, who was also involved in the protests. He told me that night he’d dreamt of a tune. With a few tweaks it fit the wording perfectly and  wasn’t far off the tune I had when the song came to me.

I’ve sent a copy with a thank you e-mail to the nine at Devcon today. We may be singing it somewhere in Preston soon.

Mary of the Marsh

Enduring years of disconnection,
incredulity of stars,
anger beneath the heavens,
she scathed the priests and walked alone,
drifting among chapels, knowing she didn’t belong,
her robes of night fell on soft rushes.

They say she walked along the marsh.
They say she walked out to the river.
They say she looked out to the sea.

In the damp, dark parishes
paradise was never hers,
she walked amongst the outcasts and the sick
healing wounds that should never open,
seeing what shouldn’t be seen,
her robes of night fell on troubled waters.

Mary of the lepers,
Mary of the marsh,
I saw you running to the river,
I saw you running to the sea.
How you longed to sail away…

Hey Ivy

Hey ivy,
Hey-ey-ey-ey ivy
Life force of this valley
Immortal green

Hey ivy,
Hey-ey-ey-ey ivy
Arriving from mystery
In a chorus of leaves

Hey ivy,
Hey-ey-ey-ey ivy
She gives us shelter
Beneath her palisades

Hey ivy,
Hey-ey-ey-ey ivy
She feeds us berries
When trees are bleak

Hey ivy,
Hey-ey-ey-ey ivy
We sing her praise songs
With ardent beaks

Hey Ivy

Birch Wood

Birch trees. Carr Wood

 

 

 

 

 

 

 

There was a land of ash with no future.
Out of the ice age they came, colonizers
Silver-black and delicately snake skinned,
Shedding white edged leaves on the ash-clad winds

And singing do you remember, remember
The ice age and peat and lost Vindolanda,
Sentinel cities and burying oaths
Enstyled on bright birch to placate the world?

And singing do you remember, remember
The strange black peal of the blacksmith’s hammer,
Street lights of amber and echoing roads,
Cities estranged by the gathering smoke?

And singing do you remember, remember
How empire fell that fatal November,
Civilized monuments crashing to dust,
Swaying white fields and the soft song of ghosts?

Silver-black and delicately snake skinned,
Shedding white edged leaves on the ash-clad winds
Out of the ice age they came, colonizers.
Their land was ash, with an unknown future.

Birch trees, Carr Wood

Belisama Changing Queen

Belisama changing Queen
Of the Ribble’s shining waters
Shaper of the dales and plains,
Towns and cities and their dreams.

A sparkling sight of sweet repose
You speak serenely under daylight
Shallows shifting playful hint
At beauties strange as subtle tides.

Your hurtling force rocks roaring stones
When fair folk blow their horns at midnight
Enigmas flow in endless throes
Your current’s drowning change or die.

Changing queen of transformation
Streams unite within your basin
Bridges cross- worlds in collision
Town and dale and rushing dream.