Their Forest Seat

This is an image I was inspired to draw of the King and Queen of Annwn as Bone Wolf and Bone Mare – a guise Gwyn ap Nudd and Creiddylad/Rhiannon have been appearing to me in this winter, a time of revelation, as so many things have been stripped bare.

Landslip

Fairy Lane, January 2021

Landslip, landslide,
we live in treacherous times,
the very land we hold so dear to us
with the grounds of life as we know it is
being pulled from beneath our feet.

Orange mesh and ‘Do Not Enter’ signs
at the entrances to Fairy Lane do not deter me
slipping by fay-like to bear witness
to another cataclysmic event.

For a long while railings, gravestones,
have been falling away and no-one speaks
of gathering up the bones of the dead.

This has been a place of peace with its
holy well, monastery, church, and chapel,
but has also been a place of penitence.

Black Roger sent to the ends of the earth.

(I sometimes wonder if I am a penitent
and whether I have served my time).

The weather gods have been cruel
this year with their freeze-thaw-rain
dichotomy opening fresh wounds.

The steps leading down to the yew
where I first met Gwyn ap Nudd and to him
made my dedication defying the transcendent gaze

of the Christian God who has never set foot on this earth
(except perhaps in his son whose feet in ancient times
may have walked here in Blake’s poetry)

are now twisted like something out of Labyrinth.

He has thrown my world out of kilter again –
a consequence of being devoted to a wild god…

When I see trees upside-down I think how natural
it is for us to fall whereas trees are born upright
and to go root over crown is certain death.

Yet as we grow older falls hurt more
and we come to wonder which will be the last.

~

I wrote this poem after being called to bear witness to yet another cataclysmic event in my local area. It was three days until the January full moon, on which I made my life-long dedication to my patron god, Gwyn ap Nudd, beside the leaning yew tree on Fairy Lane two years ago. (I made my initial dedication to him at the White Spring beneath Glastonbury Tor on the January moon in 2013.)

It’s a place I visit often, so I was surprised, when I got there, to find orange mesh across the entrance from the A59 and to read a notice stating that the footpath was closed due to a landslip. I walked to the second entrance by the Ribble where, again, I found the orange mesh, but it didn’t extend into the woodland.

Following the intuition that the place was safe now and my gods wanted me to see what had happened I slipped past. Usually the council will fence things off at the tiniest reason. This was not small. It was catastrophic. A whole swathe of land had slipped away from the side of Church Avenue, which runs along Castle Hill – a pen ‘prominent headland’ – shaped a bit like Pendle. It had piled up on Fairy Lane with the debris of huge ivy-clad trees in their prime, fallen root over crown.

Furthermore the steps leading down to the leaning yew had been skewed and looked dangerous.

In some ways, that this had happened, was not a surprise. The whole bank, with its leaning trees, has always looked precarious. There have been landslips before, bearing away railings and graves. Due to falling gravestones the castle mound and parts of the graveyard have been closed off for several years.

There are several reasons for the instability of the land. When the river Ribble was moved five hundred yards south from her original course to run beside Castle Hill, the sandstone bedrock was shattered. The aquifer beneath the hill was broken, leading to the holy well at the hill’s foot drying up. The building of the adjacent by-pass and its vibrations are likely causing the damaged land to slip.

The final contributor to this is the recent weather with its dangerous patterns of freezing, thawing, and heavy rain. No doubt all these factors have come together to cause these landslip.

Yet as well as physical reasons there are spiritual reasons too. The conversion of the hill and well from a pre-Christian to Christian sacred site and the severing of the links between the people and the gods of the land have led to the mindset that makes moving a river, shattering an aquifer that feeds a holy well, and building a by-pass beside a sacred place acceptable. Within a culture that saw the river as a divinity and the hill as the body of a goddess and abode of the dead and their god these would have been seen as acts of desecration that would bring about the wrath of the gods. And so their anger is seen in the decline of this once (and still on occasion) beautiful and enchanting place.

My first thought, when I arrived at the scene, was that this was linked somehow to my Gwyn dedication. Had I done something wrong? Was I on the wrong track? Might it be linked to the series of workshops on Gwyn and his family I am planning with other Gwyn devotees for Land Sea Sky Travel?

I received the gnosis that the landslip had nothing to do with me or my actions and would have happened anyway. I was already in two minds about visiting the yew on my dedication day as I am at my conservation internship on that day and don’t really want to go at night without a friend to accompany me (due to lockdown).

What it means to have the place I met Gwyn and made my life-long dedication cut off I haven’t cogitated yet. It seems to fit with two bridges over the Ribble being declared dangerous and closed. The land, the gods, displaying their anger, the council attempting to protect us, connections being severed.

This event has also made me aware the yew, leaning precariously on an ash, won’t be there forever…

The Peat Pit – the Fish Pond of Gwyn ap Nudd

For nearly a decade I have been writing enthusiastically about two topics – the lost wetlands of Lancashire (lakes, marshlands, wet woodlands, peat bogs) and my patron god, Gwyn ap Nudd. I didn’t realise there was a link until I watched the first of Gwilym Morus-Baird’s videos on Gwyn’s folklore.

Here he shared three poems by the Welsh poet Dafydd ap Gwilym (1315-1350). Whilst I had read ‘Y Dylluan’, ‘The Owl’, and ‘Y Niwl’, ‘The Mist’, I was unfamiliar with ‘Y Pwll Mawn’, ‘The Peat Pit’. In this masterfully crafted and, in places, humorous poem, Dafydd ap Gwilym narrates how he and his ‘grey-black horse’ foolishly get lost on a ‘cold moor’ in the darkness and fall into a peat-pit.

Unfortunately much of the craftsmanship of the poem in Welsh is lost in translation. The original is written in strict metre with seven syllables in each line, follows an AA BB rhyme scheme, and also contains internal rhyme (possibly cynghanedd – it is beyond my skill to judge). It also features repetition.

Gwae fardd a fai, gyfai orn,
Gofalus ar gyfeiliorn.
Tywyll yw’r nos ar ros ryn,
Tywyll, och am etewyn!
Tywyll draw, ni ddaw ym dda,
Tywyll, mau amwyll, yma.
Tywyll iso fro, mau frad,
Tywyll yw twf y lleuad.

Woe to the poet (though he might be blamed)
who’s lost and full of care.
Dark is the night on a cold moor,
dark, oh, that I had a torch!
It’s dark over there, no good will befall me,
it’s dark (and I’m losing my senses) over here.
Dark is the land down below (I’ve been duped),
dark is the waxing moon.

Here, in the first verse, we see that not only are the rhyme and metre lost in the English translation but also the repetition of tywyll ‘dark’ at the beginning of six of the eight lines.

Dafydd ap Gwilym goes on to lament his ‘woe’ ‘that the shapely girl, of such radiant nature, / does not know how dark it is’ before admitting his foolhardiness for venturing out on the moors at night.

It’s not wise for a poet from another land,
and it’s not pleasant (for fear of treachery or deceit)
to be found in the same land as my foe
and caught, I and my grey–black horse.

Here we gain a sense of unhomeliness, of the poet having ventured far from home, to an arallwlad ‘other-land’ – to the land of his ‘foe’, who we might surmise is the otherworldly Gwyn, from the following lines and those in other poems. In ‘Y Niwl’ the mist is described as ‘his two harsh cheeks’ which ‘conceal the land’ ‘thick and ugly darkness as of night / blinding the world to cheat the poet.’

After speaking of how he and his horse drowned in the peat-pit, Dafydd ap Gwilym goes on to describe evocatively and curse the place of his undoing and to associate it directly with Gwyn and his spirits.

Such peril on a moor that’s an ocean almost,
who can do any more in a peat-pit?
It’s a fish–pond belonging to Gwyn ap Nudd,
alas that we should suffer it!

I love this image of ‘a moor that’s an ocean’. It reminds me of the German term schwingmoor ‘swinging wetland’. This evokes how a bog can sway with each step like the sea.

I am dying to know whether the reference to the peat-pit as a ‘fish pond belonging to Gwyn ap Nudd’ is a metaphor that Dafydd ap Gwilym has created or whether it comes from the oral tradition.

We know Nudd/Nodens, the father of Gwyn, is associated with fishing by the iconography at his temple in Lydney. A crown, which would have been worn by a priest of Nodens, features a strange fisherman with a long tail catching a salmon and images of fish and sea-serpents appear on a mural.

So it isn’t too surprising to find a reference to fish ponds belonging to Gwyn. However, anyone familiar with the ecology of peat bogs will be aware it is very rare to find fish in their waters due to the low oxygen levels. This raises the question: for what is Gwyn fishing?

I believe an answer can be found in a later English poem by Winthrop Mackworth Praed (1802 – 1839) called ‘The Red Fisherman’ which might also contain echoes of an older tradition.

This recounts how an abbot came to a pool with the ‘evil name’ ‘The Devil’s Decoy’ and encountered ‘a tall man’ on ‘a three-legged stool’ clad all in red with shrunken and shrivelled ‘tawny skin’ and hands that had ‘long ages ago gone to rest’ – ‘He had fished in the flood with Ham and Shem’.

With a ‘turning of keys and locks’ he took forth bait from his iron box’ and when he cast his hook ‘From the bowels of the earth / strange and varied sounds had birth’, ‘the noisy glee / of a revelling company’.

To this otherworldly music the red fisherman drew up ‘a gasping knight’ ‘with clotted hair’ ‘the cruel Duke of Gloster’. Casting off again, ‘a gentleman fine and fat, / With a big belly as big as a brimming vat’ ‘The Mayor of St Edmund’s Bury’. His next catch, with ‘white cheek’ ‘cold as clay’ and ‘torn raven hair’ was ‘Mistress Shore’ and, after countless others, finally a bishop. The abbot was cursed by the Red Fisherman to carry his hook in his mouth and from then on stammered and stuttered and could not preach.

If this poem derives from an older tradition based around the lore of his Gwyn and his father (like the Red Fisherman Gwyn was also identified with the devil) we might surmise he is fishing for the dead.

The mention of the noise of a revelling company is also pertinent as in ‘Y Pwll Mawn’ we find the lines:

A pit between heath and ravine,
the place of phantoms and their brood.
I’d not willingly drink that water,
it’s their privilege and bathing–place.

The term ellyllon is here translated as ‘phantoms’ but also means ‘elves’. It no doubt refers to Y Tylwyth Teg, ‘the fair family’ or ‘fairies’ over whom Gwyn rules as the Fairy King. ‘Brood’ has been translated from plant ‘children’ which is also suggestive of the family of Gwyn.

The peat-pit, like other bodies of water such as lakes, pools, springs, and wells, is a liminal place where Thisworld and the Otherworld meet, where the fair folk bathe, and their leader fishes for souls.

Finding out about this lore has deepened by intuition that Gwyn is associated with Lancashire’s lost peat bogs and former peat-pits, such as Helleholes, just north of my home.

At the end of his poem Dafydd ap Gwilym curses ‘the idiot’ who dug the peat-pit and swears he will never ‘leave his blessing in the peat bog’. This may refer to a practice taking place in his day – people leaving butter in peat bogs for the fairies, which may carry reminiscences of more ancient offerings to Gwyn and his family.

Contrarily, the next time I visit a peat bog, I intend to leave a blessing for Gwyn, the Blessed One.

*With thanks to Gwilym Morus-Baird for his video HERE and for pointing me in the direction of Dafydd ap Gwilym.net where ‘Y Pwll Mawn’ can be read in Welsh and English.

The River Did Not Burst Her Banks

You did not burst your banks today…

River goddess your fearsome torrent pouring
from here to the sea how many times do I have to stand in you,
no, to drown in you, to know you are never the same?

What rites would you have me keep, Riga Belisama, as I walk beside you?

Long have I kept this piece of your humble mudstone close to my heart
(which I must give back should I ever leave), renewed your waters,
lit your candle, created for you a little temple

and cleared Fish House Brook – just one of your dirty daughters
running from one of the estates to the sea.

I have seen your many colours –
red, blue, green, grey as concrete bollards.

What is a river without a goddess or a goddess without a river
meandering, twisting, to the sea, like our own blue blood to our heart?

Sometimes I see you as a goddess but most often you are being a river,
fulfilling your purpose, delivering water, divine water-bearer.

To be one with your flow on days like this is a blessing,
to walk so close to the edge knowing I could be carried away

by your rush of waters, by your rush of deadly words,
but you did not burst your banks today.

I wrote this poem after my daily walk beside the Ribble yesterday during Storm Christoph. Contrary to the flood warnings the river did not burst her banks but came very close, the water lapping at the edge, at high tide. It’s not often we can walk so close to a force of nature, to a mighty goddess, whose might could destroy us if we take a false step – an experience awe-inspiring and humbling.

We were lucky, here in Penwortham, that the river did not burst her banks. Upriver Brockholes Nature Reserve has been forced to close due to the access road flooding. People from Didsbury and Northenden in Manchester, Maghul in Merseyside, and Ruthin and Bangor-on-Dee in North Wales have been evacuated. This must be a doubly awful experience during a pandemic. The combination of the virus with flooding feels like an ominous portent of decline and I fear worse is to come.

The first time I saw major floods on the Ribble was 2015 and she has flooded almost every winter since. In response, the Environment Agency and Lancashire County Council have implemented the Preston and South Ribble Flood Management Scheme, which will raise the current flood walls from 1.2 metres to up to 2.2 metres, with a glass screen at the top so people can see the river, and build new ones.

Some of the trees on the banks, such as the row of elms near the Continental pub, will be dug up to make way for the defences. Five new trees will be planted for each tree removed, but it will be forty to fifty years until they are the size of the original ones. Local people have asked for the old trees to be made into benches.

More positively, some of the area, which is now Preston Junction Nature Reserve, rather than housing, due to the Save the Ribble campaign, is going to be kept as flood plain. There are plans for the creation of a new wetland habitat with ponds with dipping platforms, species-rich wildflower meadows and grasslands, wet woodlands, and orchard trees.

My local stretch of the Ribble, where I have been walking for nearly forty years, is going to change dramatically. How long the defences will keep people’s homes safe I don’t know. As this past year has shown, our safety from the forces of nature, small and large, is very much illusory. The climate and the world are changing. The river will burst her banks again. Yet, on her banks, we find the very first snowdrops, who have weathered the floods. A small sign of hope in these apocalyptic times.

Coronavirus and the Wonders of the Immune System

So far January has been pretty grim. Not only due the slippery alternation of icy weather and heavy rain, but because the UK is back in national lockdown due to a sharp rise in coronavirus cases as a result of holiday gatherings combined with a new variant that is 30 to 50 per cent more infectious. Hospitals are teetering on the brink of being overwhelmed and, on Wednesday the 13th of January, 1, 564 deaths from COVID-19 were recorded – the highest number since the pandemic begun.

My conservation volunteer work parties have been cancelled and my internship at Brockholes Nature Reserve has been limited to one day. Again we’re back to the horrible dichotomy between essential workers being stressed and overstretched whilst others have no work and feel useless.

However, unlike during the first lockdown in March, with the new vaccines and the vaccination programme underway there is hope of a return to some degree of ‘normality’ on the horizon. I have lived with the fear of catching coronavirus and passing it onto my parents, who are over seventy and have health issues for nearly a year, and am hoping they will be vaccinated by mid-February.

This moon cycle Gwyn has prompted me to look more deeply into the nature of the coronavirus and how this relates to his role as a ruler of Annwn who gathers the souls of the dead from battlefields, and arguably those who die of plagues, such as Maelgwn Gwynedd, who died of the Yellow Plague after seeing a golden-eyed monster through the keyhole where he was self-isolating in the church at Llan Rhos.

Gwyn is also said to contain the fury of the ‘devils’ of Annwn to prevent them from destroying the world. We might, perhaps, include viruses amongst this host. It is also notable that Gwyn’s father, Lludd/Nudd, put an end to three plagues in Lludd ac Llyefelys.

When I set out on and progressed with my research I was stunned by the proficiency of the coronavirus and more so by the cleverness and complexity of the human immune system and its cells. As I learnt about them and viewed their 3D representations I was filled with awe and wonder at their agency and beauty and more so because they are part of me.

Here is an account of my discoveries about the nature of coronavirus and the wonders of the immune system upon whose agency and efficacy the success of the vaccine depends. I write this for Gwyn and his father, Lludd/Nudd, defenders against plagues.

***

SARS-CoV-2 is the coronavirus that causes the disease COVID-19. Like other coronaviruses it is spherical in shape and consists of a membrane, which encloses its RNA, and protein spikes (which look like a corona). These are really important as they help the virus bind onto and attack host cells.

When droplets of the virus are inhaled or transferred from surfaces to the eyes, nose, or mouth of a healthy person it is provided with passage to the mucous membranes. These epithelial barriers not only provide a barricade against pathogens, but have their own defences such as tears, saliva, and mucus.

However, coronavirus has developed a particularly smart way of penetrating them. On these surfaces is a protein called angiotensin-converting enzyme 2 – ACE2 – and to this it binds its spike protein ‘like a key being inserted into a lock’. Thus ACE2 is the doorway by which it enters the host.

Once the virus gets into the membranes of the nose, throat, airways, and the lungs (where ACE2 is particularly abundant on type 2 pneumocytes in the alveoli), it hijacks the original function of the cells and turns them into ‘coronavirus factories’ in which it creates countless copies of itself, which go on to infect more cells, which go on to infect more cells, which go on to infect more cells…

Luckily, the invasion does not go unnoticed for it triggers a response from the innate immune system. (It is worth mentioning here that humans have not only one but two immune systems. The innate immune system, which is shared with other animals, plants, fungi, and insects, is the most ancient and the most primitive, having developed 500 million years ago. This provides a ‘front line’ general response. If it is unsuccessful, the adaptive immune system, which developed in vertebrates only, is activated and provides a more finely honed response, which targets a specific pathogen.)

Upon the invasion of the coronavirus, cells of the innate immune system stationed in the tissues and patrolling in the blood stream, which possess specialised pattern recognition receptors (PPRs), recognise pathogen-associated molecular patterns (PAMPs) and damage-associated molecular patterns (DAMPs), and send out chemical signals that initiate the inflammatory response.

Chemicals such as histamine increase the blood flow to the infected area and cytokines attract white blood cells called phagocytes ‘eating cells’ (from Greek phagein ‘to eat’ and cyto ‘cell’) – firstly neutrophils and, within 24 hours, macrophages ‘big eaters’ (from Greek makrós ‘large’ and phagein ‘to eat’)

These phagocytes strive to destroy the virus through a process called phagocytosis that is unlike anything seen in the outside world. They engulf the virus within their membrane, enclose it within a vacuum known as a phagasome, then kill it by bombarding it with toxins. Afterwards neutrophils self-destruct via a process called apotosis. Macrophages also perform the role of devouring the dead cells. Around three days into the infection more phagocytes known as natural killer cells join the fight.

If the innate immune system fails to fend off the virus, the adaptive immune system steps in. The cells of the adaptive immune system target only specific antigens – molecules on the outside of a pathogen – and cannot recognise new antigens alone. Therefore they must be presented with them by antigen-presenting cells, such as macrophages and the dendritic cells of the membranes. These cells not only devour but process the virus and display its antigen on their surface. Thus they play an essential role in mediating between the innate and adaptive immune systems.

The main cells of the adaptive immune system are white blood cells called T-cells (because they are produced in the thymus) and B-cells (because they are produced in the bone marrow). When T-cells are activated by the presentation of an antigen they begin to mature and proliferate.

Four types of T-cell are produced. Cytotoxic T-cells specific to the coronavirus antigen bind to an infected cell and produce a chemical called perforin, which penetrates it, then cytotoxins called granzymes which destroy the cell and any virus inside by causing it to self-destruct via apoptosis.

Helper T-cells produce chemicals such as cytokines, interleukin (a pyrogen which increases molecular activity) and interferons (which cause nearby cells to heighten their viral defences) and activate B-cells. Regulatory T-cells stop the immune response and memory T-cells remember the antigen.

Once activated, B-cells produce and release antibodies that are perfectly fitted to the antigen. These perform several functions. They neutralise the virus, making it incapable of attacking the host cells; bind virus particles together in a process called agglutination; and bind to antigens, labelling them as targets. Memory B-cells, like memory T-cells, which remember the virus antigen, are also formed.

After five days, once the T-cells and B-cells are recruited, and the battle begins in earnest, the infected person starts to feel the symptoms of COVID-19. A sore throat, loss of smell and taste, and a persistent cough are caused by the inflammatory response. The mucus from a runny nose and that coughed up from the lungs is composed of dead phagocytes, dead cells, inflammatory exudate, and dead and living microbes. It is through these particles an infectious person spreads the disease.

Pyrexia, caused by the pyrogen interleukin (which you might recall increases molecular activity), is what brings about a heightened temperature, loss of appetite, and feelings of fatigue.

Most healthy people fight off the virus within 7 – 10 days. Those who do not become more seriously ill because the immune system overreacts and this leads to pneumonia, a condition in which the alveoli fill with water as a result of excess inflammation and tissue damage. This may be caused by coronavirus binding to ACE2 on type-2 pneumocytes and other membranes. ACE2 regulates a protein called angiotensin II, which raises blood pressure and causes inflammation. When coronavirus binds to ACE2, it inhibits its ability to regulate angiotensin II, thus the overreaction.

This can lead to acute respiratory distress syndrome, which happens when the inflammation of the lungs is so severe the body cannot get enough oxygen to survive, and can lead to organ failure. At this point a person is at risk of death and is admitted to intensive care and put on a ventilator.

Knowledge of the immune system not only helps us to understand how the body fights off coronavirus but also how the vaccines work. The Oxford-AstraZeneca vaccine, like other flu vaccines, uses a weakened form of the virus to activate the immune system’s response, so the T-cells and B-cells have memory of the antigen and can respond immediately upon a repeat infection.

The Pfizer-BioNTech is more novel because it takes the genetic code from the coronavirus antigen and uses it to create a messenger RNA (mRNA) sequence that tells the vaccinated person’s cells to produce antigens and present them to the T-cells and B-cells, preparing them for an immediate response.

***

My research has provided me with an illuminating revelation of hidden processes inside my body I was unaware of. In the death-eating phagocytes who process the dead virus and present its antigens it is possible to find elements of the Annuvian.

Could the white blood cells be seen as ‘guardians’ posted by Gwyn ‘White’ to help us defend ourselves from viruses like he and his host hold back the fury of the spirits of Annwn?

Perhaps… but I think truth of the matter is more complicated for Gwyn is said to contain the spirits of Annwn not only in his realm, but in his person, which is equivalent to us being able to contain the virus. This is impossible for us – for each side it is a battle to the death. It can only be contained by a god.

Paradoxically, Gwyn might be associated both with the breath-stealing life-stealing coronavirus and with the white cells who act as defenders and mediators within our bodies.

As a ‘bull of conflict’ he embodies the dark truth that, without and within, existence is ‘battle and conflict’. Yet that in this, beauty and wonder – the poetry of Annwn – can be found.

SOURCES

Anne Waugh, Alison Grant, Ross and Wilson Anatomy and Physiology, (Elsevier, 2018)

‘What is the ACE2 receptor, how is it connected to coronavirus and why might it be key to treating COVID-19? The experts explain’, The Conversation, https://theconversation.com/what-is-the-ace2-receptor-how-is-it-connected-to-coronavirus-and-why-might-it-be-key-to-treating-covid-19-the-experts-explain-136928

‘Coronavirus: What it does the body’, BBC News, https://www.bbc.co.uk/news/health-51214864

Ash Dieback and the Dying World Tree published on Gods & Radicals

My article ‘Ash Dieback and the Dying World Tree’ has been published on Gods & Radicals HERE.

‘In the Norse myths the great ash, Yggdrasil, is the World Tree. Its image is one of ecological integrity. Ash dieback, a disease of the European ash, has both profound ecological and mythological implications.’

Although I am a Brythonic polytheist, in this piece, I speak of my experiences of the Norse tradition in the Lancashire landscape through ceremonies with seidr man Runic John and my handful of encounters with the Norse gods, who I feel called me to write it.

It also feels relevant as I have been involved with the Woodland Welfare Project as a conservation intern at Brockholes Nature Reserve. This aims to manage ash dieback by removing dying trees, saving resistant trees, and tree planting to improve diversity.

What if a mammoth

was found buried beneath the snow?

What if it was found by a ragged band of hunters
and amongst them was a young man who spoke a single word
that rolled like a stone from the back of his throat onto the tip of his tongue
recalling the unblocking of a passageway to an ancient cave

where an unknown creature was painted in red ochre with long tusks?

What if, when he spoke its name, those old bones
and the ragged chunks of skin and dirty frozen clumps of fur
began to shudder and something massive began to raise itself from the ice?

What if, when it shook itself off, the boy climbed onto its back like a monkey?

Would you stare with eyes wide as frozen lakes or would you run
or would you take his hand, climb onto mammoth-back,
put your arms around his chest and ride away?

I wrote this poem based on a journey I undertook to find out more about my haunting by visions of mammoth graveyards. I have recently found out such places exist, for example at Yana-Indighirka and Volchya Griva in Siberia and that, more disturbingly, as the ice melts due to climate change, more mammoth remains are being exposed. This has sparked a ‘Siberian mammoth tusk gold rush’ and, in Yukatia, guided tours to mammoth graveyards are being offered along with the opportunity to join hunts.

I also discovered that people in Dolní Věstonice, in the Czech Republic, and in Mezherich, in Russia, built houses out of elaborately arranged mammoth bones and that, at Kostenski, a 40 foot circular building created from the bones of 60 mammoths was unearthed – possibly a temple? These buildings are some of our oldest examples of human architecture and are suggestive of a spiritual relationship with the massive creatures with whom they shared their tundral landscape. Such care and shared communal use contrasts with the individualistic money-grabbing in our time.

The woolly mammoth (Mammuthus primigenius) roamed not only Siberia but Europe during the Ice Age. Its remains have been found in Scotland but are most concentrated in southern England, where the glaciers did not reach for so long, particularly on the Thames.

Remains of the steppe mammoth (Mammuthus trogontherii), the woolly mammoth’s older larger predecessor, dating back 600,000 years, have been found on West Runton Beach in Norfolk.

It seems likely the mammoth played a central part in the religion and culture of Paleolithic people in Europe too. The Red Lady of Paviland (who was really a male hunter) was buried with mammoth ivory in Paviland Cave, on the Gower Peninsula, 33,000 years ago and is our earliest ritual burial. In the Franco-Cantabrian caves are numerous paintings of mammoths including the Cave of the Hundred Mammoths in Rouffignac.

There is a mammoth-shaped hole in our psyches which cannot be filled in an interglacial. Yet the memories of mammoths continue to speak to us in visions, in dreams, and, more hauntingly, in physical reality as their remains are removed from the ice.

Memories of the Ice Age

Speak to me of dead ice
and glacial erratics.

Tell me the tales
of wandering stones* –

granodiorite from Southern Scotland,
Criffel granite, Shap granite, Eskdale granite,
granite from Loch Doon, Borrowdale volcanics,
Thornton limestone, Chatburn limestone.

Speak to me of glaciers that had no names.

Speak to me not of the death of your children
and how they laid their gravestones
in a ritual long long lost to us.

Speak to me not of your sacrifice in shaping this land.

We must be as stone
and not mourn the snowflakes
vanishing from the palms of our hands.

Outside the office at Brockholes Nature Reserve there is a 2.5 tonne boulder made of grandiorite which was extracted from Number One Pit beside the M6. Unlike the sandstone boulders nearby it does not fit with our local geology. This has led geologists to the conclusion it was transported from the Lake District or Southern Scotland by a glacier during the Last Ice Age 115,000– 11,700 years ago.

This reached its maximum 24,000 years ago and two of the ice advances, Heinrich 2 and 4**, extended to and covered Lancashire and Cheshire, whilst Heinrich 1 and Loch Lomond did not. When the glaciers melted they deposited their ‘suspended load’ of ‘boulder clay’ or ‘glacial till’. At Brockholes the sand and gravel were 20 metres thick leading to the area being used a quarry.

With these materials the grandiorite boulder was removed along with other erratics such as granite from South Scotland, Borrowdale Volcanics from the Lake District, and Chatburn Limestone from Clitheroe. The sandstone boulders near the car park may be local or from Pendle Hill or Longridge Fell.

Near Kirkham and Oldham, where ‘the rate of the ice melt’ was ‘equal to the movement of the ice sheet’ for a long period of time, lines of moraine (accumulations of glacial till), were deposited.

The vast volumes of water from the melting glaciers were also responsible for forging the valley of the Ribble – ‘the meander belt between the river cliffs is too wide to have been created’ by the river.

When dead ice was left behind by glaciers, became surrounded by sediment, then melted, it left kettle holes. This resulted in the formation of lakes such as Martin Mere and Marton Mere and the others that formed Lancashire’s Region Linuis ‘Lake Region’ and some of its numerous ponds.***

Since then we have dug out the sand and gravel and drained the lakes yet new lakes have formed in old pits. Number One Pit at Brockholes, where the grandiorite boulder was found, is now a lake and 182 species of birds have been recorded there including bittern, curlew, lapwing, and sand martins.

The Nature Reserve as we know it has originated from a combination of geological and man-made factors. In the shaping of the land during the Last Ice Age I see the work of Winter’s King and his glacial children. When I touch the glacial erratics or watch birds descending onto the lakes I see his hand.

*The term ‘erratic’ originates from the Latin errare ‘to wander’.
**Heinrich events are caused by the the collapse of northern hemisphere ice shelves and release of icebergs which affect the climate elsewhere.
***Most of the present-day ponds in Lancashire formed in former marl pits dug in the 18th century.

With thanks to Geolancashire from whose Brockholes Geotrail Guide I gained most of this information.

I Was Once on a Quest

felt like I could ride any horse
and had destiny like a hound at my side.

Then I had a fall, and another, and another…
so much churning of hooves the whining of a dog…

and now I am alone in my profound uselessness

walking the labyrinth of my home town
in the snow trying to count every fleck on my eyelid
as a blessing because so many are dying

and I am alive in this pure rawness of being
in this body in which I have always been ill at home.

I wanted to live by the myths until this gormes became reality.

If only I’d studied science, medicine, rather than poetry
I might have been able to decipher the dragon’s
RNA – the pathogen’s genetic code.

But now I’m just one of the many told to stay at home.

Another World

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Since 2015, when the website was first launched, I have been writing for Gods & Radicals and have witnessed its growth from an online publisher of Pagan and anti-capitalist essays, poetry, stories, and podcasts into a printing press that publishes journals and books and runs courses.

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