A review from Adam Sargant on the The British Druid Order blog of ‘The Deep Music’ – an anthology of the writings of contemporary awenyddion edited by Greg Hill, Lia Hunter, and myself.
I was intrigued by Adam’s suggestion that this anthology shows a ‘a third way’ ‘the way of the inspired ones’ of coming to awen alongside the courses of contemporary Druidry and studying medieval Welsh bardic texts. For me this would be further defined as learning directly, experientially, from the gods and spirits of the Brythonic tradition.
The Deep Music is an anthology of writings, some essays, some creative, some poetry, of contemporary awenyddion (for those of you not familiar with the term, an awenydd is one who is inspired. But, as this collection makes abundantly clear, the form of inspiration is quite specific.) The awen, the “poetic inspiration” as explored through the writings and experiences of these contemporary awenyddion, gives us an insight into the nature not only of this inspiration (which I will go into later) but into the way in which a community can come together and successfully fill a void in tradition with a living, contemporary energy.
The collective from which these writings were originated in a collaboration between the poets and awenyddion Lorna Smithers and Greg Hill who created the Awen ac Awenydd website in 2015 and, in Lorna’s words, “perceived a void in information and discussion about inspiration, spirit work, mysticism…
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