The Book of Onei by Christopher Scott Thompson is ‘an antinomian dream grimoire, providing deceptive yet true information about the art of Oneiromancy or dream magic in the form of poetry, fantasy, and intentionally ambiguous instructions.’
It is narrated in the voice of a ‘dark seer’, a ‘night wanderer’ drawn to seek the wisdom of the ‘beautiful chaos’ and ‘primal darkness’ and its ‘chthonic and horrifying entities’ rather than the light. Unlike similar narratives involving journeys to otherworlds he does not go with a benevolent aim such as bringing back a dead lover or relative. Following in the footsteps of his father, who stole The Book of Onei from the Great Library, this Promethean anti-hero goes instead to steal a secret – the knowledge of how to understand the book. “Prometheus didn’t give the fire back,” he tells his wife before setting out through the door in the basement.
The main thread of the narrative is this unnamed dark seer’s journey. The rest is composed of lore from The Book of Onei. This includes stories which take the form of powerful parables in a similar strain to Nietzsche’s Thus Spake Zarathrustra, riddling poems, and lists of the Powers of Onei and how they might be invoked or exorcised through prayers, offerings, charms, symbols, and rituals.
The visionary scope of this book is immense and could only have been channelled from the depths of dream. One of the most striking characters is the prophet Eyes For Flowers, one of the Sons of Crow, who has huge sunflowers spilling through the eye-holes of his crow-mask. This image and the depiction of demons transformed into angels who ‘rose up from the husks of their bodies as burning wheels, as gears and eyes and wings’ put me in mind of the raw genius of Blake and Ted Hughes.
There is also a lot of animistic wonder. I was mesmerised by the song of the spider who sung to the Fool who would become Three-Times Exiled in his cage and by the words of the swaying serpent who teaches that ‘the Chaos Ocean is not a place you can walk to’ but lies ‘in the crevices between moments.’
As you might have guessed this book is packed with paradoxes. The places and powers in the Book of Onei may not exist in Onei itself and it remains unclear whether there is ‘a secret to be uncovered, or only lies within lies.’ The only way to discover the truth is ‘to go there in person.’ Deep contrary wisdom is conveyed about travelling otherworlds, drawn from fairylore, grimoires, alchemy, demonology, and, forthmost from the author’s experiences as a dreamwalker and visionary.
As a kindred spirit drawn to the beauty of the darkness I fell in love with The Book of Onei when it first started out as a series of blog posts and was delighted to hear it has been published in book form. When I read it in full I was not disappointed. It is a valuable contribution to visionary literature and dark mysticism that deserves to be preserved for longevity. Although not explicitly political it is a work that provides gnosis and guidance for facing dark truths in troubled times.
I would recommend it to anyone who has heard the call of the Veiled One who stirs her ‘cauldron made of swirling stars and galaxies’ or been haunted by the ‘eerie, dreadful dead’ of the Host. I don’t want to give away how it ends, only that it begs a follow up – more!!!
The Book of Onei can be purchased HERE.