Morgan Daimler is a Celtic Reconstructionist and dedicant of Macha based in New England. She teaches Irish myth, magic and folklore and has published nine books as well as poetry and prose in a variety of magazines, journals and anthologies.
The Morrigan: Meeting the Great Queens is a short, introductory book (eighty pages) in the Moon Books Pagan Portals series. By bringing together material from ancient Irish texts and academic sources it aims to provide readers new to the Morrigan with a basic introduction to this goddess, those who share her title, Badb and Macha and other associated goddesses such as Nemain, Be Neit and Grian.
The result is a tightly packed text with an abundance of subject matter to learn from and plenty of references to follow up. Morgan’s research is thorough and she demonstrates a learned understanding of the original texts and scholarly viewpoints. Morgan’s approach is to let the stories of each goddess speak for themselves. Whilst she presents contrasting viewpoints and shares her own, she encourages the reader to seek their own interpretation through further study rather than leading them to her own conclusions.
The benefits are that she provides a holistic picture of the Morrigan and introduces her to newcomers without swaying their opinion. A slight cost is the book doesn’t flow as well as it could. As someone with only a vague knowledge of Irish mythology, I found myself frequently having to pause and look back to check names, associations and references to texts rather than being guided forward by the author’s argument. I also found the APA method of citation where references disrupt the text irritating. These are my only criticisms.
What I liked best about this book is that as well as sharing her academic knowledge of the Morrigan(s), Morgan shares her personal experience of each goddess; what it feels like to be in their presence, their physical appearance and their role in her life. These gnoses permeate her prayers and invocations.
Importantly for newcomers, Morgan astutely points out the differences between ‘working with’ and worshipping a goddess. The former is a temporary arrangement governed by specific guidelines and goals. The latter is based in relationship (she warns that when you invite a deity into your life you never know how it might go!) and interactions, which for her mainly take the form of prayers, meditations and offerings.
Morgan does not shy away from confronting moral questions raised by worshipping a goddess connected with war and death. She presents her own resolutions and also challenges readers who may have been drawn to the Morrigan as a ‘Dark Goddess’ to think what this means to them before applying this category.
A hidden gem of particular interest was Morgan’s description of ‘reconstructing celtic seership with Badb.’ Here she shares her use of the ancient techniques of ‘imbas forosna’ ‘tenm laida’ and ‘dichetal do chenaib’ with Badb’s guidance for divinatory purposes. The latter, which involves the spontaneous recitation of poetry is something I’ve felt compelled to do for a while and, inspired by Morgan, hope to try in my own way in the future.
Overall this is a cracking introduction to the Morrigan(s) and I’m sure there will be plenty of hidden surprises in it for everybody. I would recommend it to anybody new to this goddess who is looking for a trustworthy starting point, devotees of the Morrigan wanting to learn more about others’ experiences and anybody interested in polytheism in general.
The Morrigan: Meeting the Great Queens is officially released tomorrow and is available here: http://amzn.to/1Bh3LCs